Other than playing a custom double-neck to sold-out crowds in Madison Square Garden, what could be more fun than jamming out to a simple progression in A minor? Probably not much, so Page would take his sweet time and stretch out the “Stairway to Heaven” solo, which more than doubled in length live. Those raucous raked patterns toward the end are classic Page-isms, as is the giant bend in the penultimate measure. The blistering picking in the 32nd-note section is to be played as fast as you can muster, and then just a bit more! Accuracy is not the name of the game, so missing a few notes or hitting a clam is just part of the charm and adds to the overall frenzy.
4 shows how you can create a dramatic solo using some typical Page gestures-chiefly repetitive ideas to build tension. Whether in “Heartbreaker” or “Dazed and Confused,” Page was never shy about including unaccompanied solos in Zep’s live set. The idea is to create a sense of reckless abandon that only comes from working at the very precipice of your technique. Pick every note and don’t worry if you miss a few. The second part of the lick is a quickly picked phrase that shows Page’s ability to work a pattern through the chord changes. The opening is a multi-octave presentation of a simple E6 (E–G#–B–C#) figure that jumps around the neck. Rockabilly played an important role in Page’s development as a guitarist and is the inspiration for the licks in this chorus of blues in E ( Ex. Pay attention to the alternate picking markings-they’ll help you shift smoothly between notes on the low and high strings. 2 is a Page-like take on a ferocious blues break that features an E9 chord and sliding double-stop sixths. 1Ī call-out to either Eric Clapton or Freddie King, Ex. Use an overdriven British amp setting, but dial back on your guitar’s volume knob to clean up the tone a bit.
JIMMY PAGE GUITAR RIG FREE
1) is in the spirit of the improvised call-and-response phrases Page and Plant would exchange in a slow, free tempo. Here, we’re not actually dealing with “Whole Lotta Love” at all-the band used the middle section to explore classic rockabilly and blues themes. The studio version of “Whole Lotta Love” was baked in riffed-out glory along with Theremin and vocal effects, but when performing it onstage, Page took the opportunity to stretch the five-minute song into something much longer. In this lesson, we’ll investigate trademark elements of Page’s live approach and draw inspiration from such live Zep recordings as The Song Remains the Same and How the West Was Won. Jimmy Page’s ability to expand, develop, and reinvent his already iconic guitar solos was always a highlight of any Zep show.
JIMMY PAGE GUITAR RIG PDF
Click here to download a printable PDF of this lesson's notation.Īs one of the quintessential live bands of the ’70s, Led Zeppelin always gave their classic songs a unique spin onstage. Understand how Page used dynamics and improvisation in Zep’s live shows.Create phrases that cycle six notes over a 4/4 groove.
JIMMY PAGE GUITAR RIG HOW TO
Learn how to play “over” the time while focusing on feel.Chops: Intermediate Theory: Intermediate Lesson Overview:
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